Psappha premieres ‘The Vanity of Small Differences’

Psappha have announced their 2018-19 season, and it will feature my duet for violin and cello The Vanity of Small Differences. The concert will take place on November 15th at 7.30pm, St Michael’s, Manchester. Tickets and further details about the concert are here.

The piece was written on Psappha’s ‘Composing For’ scheme, and subsequently revised. You can hear the previous incarnation below:

RPS Prize

Exciting news from the Royal Philharmonic Society: I have been awarded an RPS Composition Prize to write a chamber work for the Philharmonia Orchestra’s Music of Today series. The full press release is here. We will be confirming the instrumentation over the coming months. The finished work will be performed on Thursday 23 June 2016, 6pm, in the Royal Festival Hall. The prize also involves taking part in The Philharmonia Young Composers Academy, which will include a number of seminars with Unsuk Chin and with the Philharmonia players.

Performances of my OPUS2014 Commission


For the first post on my newly updated website, I’m delighted to announce three upcoming concerts at which my new wind quintet – called Uncanny Vale – will be performed by the Haffner Wind Ensemble.

This group is comprised of members from the Britten Sinfonia, those being the wonderful: Emer McDonough (flute), Nicholas Daniel (oboe), Joy Farrall (clarinet), Sarah Burnett (bassoon) and Stephen Bell (horn).

About the concerts

Friday 28 November 1.00pm – Norwich, St Andrew’s Hall

Tuesday 02 December 1.00pm – Cambridge, West Road Concert Hall (to be recorded and broadcast on BBC Radio 3 at a later date)

Wednesday 03 December 1.00pm – London, Wigmore Hall (includes a pre-concert talk that I will be giving at 12.15pm)

You can buy tickets and find out more here.

My piece will be performed alongside Michael Berkeley’s Re-Inventions, Crawford Seeger’s Suite for wind quintet and Nielsen’s Quintet for Flute, Oboe, Clarinet, French Horn & Bassoon, Op.43.

OPUS2014About the commission

This work is the result of the ensemble’s OPUS2014 commission, which I was awarded earlier this year. The scheme for unpublished composers is now in its third year, and involves workshopping scores by a shortlist of composers and the selection of one piece for the commission. I also had a dedicated OPUS2014 rehearsal last week with the group, and they sounded tremendous.

The deadline for OPUS2015 has now passed, but unpublished composers should keep their eyes peeled next year for its return.